We’ve curated a list of some of the best current books dealing with The Vienna Secession, Art Nouveau, and Viennese art.
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Architecture (5)
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Art Nouveau (4)
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Artists (11)
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Film and Documentary (2)
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History (11)
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Vienna Secession (4)
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Wiener Werkstätte (3)
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A National Book Award Finalist A "riveting" (New York Times) look at one year of Viennese life during the twilight of an empire On January 30, 1889, at the champagne-splashed hight of the Viennese Carnival, the handsome and charming Crown Prince Rudolf fired a revolver at his teenaged mistress and then himself. The two shots that rang out at Mayerling in the Vienna Woods echo still. Frederic Morton, author of the bestselling Rothschilds, deftly tells the haunting story of the Prince and his city, where, in the span of only ten months, "the Western dream started to go wrong." In Rudolf's Vienna moved other young men with striking intellectual and artistic talents—and all as frustrated as the Prince. Among them were: young Sigmund Freud, Gustav Mahler, Theodor Herzl, Gustav Klimt, and the playwright Arthur Schnitzler, whose La Ronde was the great erotic drama of the fin de siecle. Morton studies these and other gifted young men, interweaving their fates with that of the doomed Prince and the entire city through to the eve of Easter, just after Rudolf's body is lowered into its permanent sarcophagus and a son named Adolf Hitler is born to Frau Klara Hitler. -
At the turn of the 20th century, the Vienna Secession shook the worlds of art and design, breaking the rigid constraints of an esthetic dominated by slavish emulation of prior styles. Nowhere is this paradigm shift better exemplified than in the works of the two Austrian creators featured here. Architect Otto Wagner (1841-1918) famously rejected the eclectic imitation and combination of historical styles that had dominated European architecture, advocating instead constructions aware of modern materials, modern needs, and modern society. Painter Gustav Klimt (1862-1918) broke with an academic art style to develop an intensely personal style favoring fluid lines, bold colors, provocative imagery, and diverse media. Otto Wagner/Gustav Klimt, the third title in the Duets series, brings together the work of these two artists in order to present a rich comparative study. Essentially three volumes in one, a section on each artist presents a brief biography and an examination of some major works, with a third section that compares the images and ideas of the two artists. Art and architecture lovers will treasure this book for years to come. -
Peter Behrens (1868-1940) was one of the most innovative architects and designers of the early 20th century. He is widely recognized as a pioneer of modern industrial design. To this day, his buildings and designs inform our everyday lives. As head designer at AEG, Behrens created the company's turbine hall in Berlin-Moabit. This construction ranks among the most famous buildings of industrial architecture and is known around the world. But Behrens also developed AEG's logo and corporate design - long before this concept actually existed. He thus established a consistent and standardized visual appearance for all products and marketing materials, ranging from the company's letterhead to its advertisements. In addition, he was an accomplished typographer and designed trademarks which are still extant, not the least of which is the iconic font for the inscription 'Dem deutschen Volke' (To the German People) atop the Reichstag building in Berlin. -
Peter Behrens (1868-1940) was one of the most innovative architects and designers of the early 20th century. He is widely recognized as a pioneer of modern industrial design. To this day, his buildings and designs inform our everyday lives. As head designer at AEG, Behrens created the company's turbine hall in Berlin-Moabit. This construction ranks among the most famous buildings of industrial architecture and is known around the world. But Behrens also developed AEG's logo and corporate design - long before this concept actually existed. He thus established a consistent and standardized visual appearance for all products and marketing materials, ranging from the company's letterhead to its advertisements. In addition, he was an accomplished typographer and designed trademarks which are still extant, not the least of which is the iconic font for the inscription 'Dem deutschen Volke' (To the German People) atop the Reichstag building in Berlin. -
This book presents new research and archival findings on the textile and fashion designs of the Wiener Werkstätte movement (1903–1932). Textile specialists, art and design historians offer insights into the most important collections and archives in Austria, Switzerland, and the US. The publication explores works by lesser-known female textile artists; the influence of Eastern European folk art, Japanese patterns, and ornamentation textbooks on textile designs; applications in fashion, interior design, film, theater; and marketing strategies used to enter new markets in the US. -
A superbly illustrated volume that draws on the most comprehensive collection of Wiener Werkstatte designs in existence. The textile department of the Wiener Werkstatte was established seven years after the inauguration of this famous and highly influential Viennese association of artists and craftsmen. The demand for fabric designs for use by the fashion department and in interior decoration was met by original designs from some 100 artists, including the association's co-founder Josef Hoffmann and other leading figures such as Dagobert Peche, Carl Otto Czeschka, and Maria Likarz. Their creativity gave rise to one of the most remarkable legacies of modern textile design. -
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